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Past Issues

Issue 5 2014 Foreward

UJAH

Zoya Mirzaghitova. With this issue, the Undergraduate Journal of Art History celebrates its 5th anniversary! This milestone comes at a moment of turbulent change for the Journal, and marks a turning point in its short history. I would like to begin by looking back and thanking all those who helped make this happen.

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Issue 5: RezErection: Reclaiming First Nations Sexuality through Erotic Art

UJAH

Emily Perkins. To be "in the erotic" is essentially to be alive as it constitutes the enactment of an integral facet of one's human identity. However, Canada's First Peoples have been excluded from representations of healthy sexuality. As such, the creation of erotic renderings of Indigenous people has become an act of resistance against the impose sociocultural systems.

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Issue 5: Andrew Grassie: Within and Beyond Painting

UJAH

Rhys Edwards. The work of contemporary Scottish Andrew Grassie provokes re-evaluation of painting's potential as a critical medium. His highly detailed, minutely realized paintings depict interstitial moments and spaces within the contemporary art environment: installations being set up, lecture halls, vacant business offices, and works in storage, among other subjects.

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Issue 4 2013 Foreward

UJAH

Zoya Mirzaghitova.  I am pleased to present the long awaited fourth Issue of the Undergraduate Journal of Art History.The fourth Issue boasts the largest number of articles we have been able to publish so far. It is a sign of the expanding interest in the Journal and our mandate as well as the high quality of research produced at the undergraduate level at the University of British Columbia.

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Issue 4: “It’s Not Down on Any Map”

UJAH

Laura Pfiester. Are maps a mirror or an imposition of knowledge upon our world and how does the method of their production mask their ontogenesis? This paper will explore how the production and sharing platforms of Jeremy Wood’s art cartographies affect the narratives of power within maps and challenge the discourse of cartographic authority. 

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Issue 4: The Barozzi Oracula Leonis

UJAH

Katia Fernandez Mayo. Towards the end of sixteenth-century Venice, widespread ideas on spirituality, prophecy, and mystery remained inherently popular among Renaissance societies. The wide distribution of prophetic texts, aided with the invention of print, resulted in a rising interest to create elaborate illuminated manuscripts that re-contextualised Byzantine contents into a current Venetian Renaissance setting. 

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